Dumb Jazz 2008

Human Rights Silent Movies in Concert!

from 12-14 september 2008

ROME - Castel Sant'Angelo

free income from hours 20,30

Dumb Jazz 08

10 Decembers 1948 universal declaration of the human rights
10 2008 Decembers international day for the human rights

Programma*

  • 12 fridays September
  • 13 saturdays September
  • Sunday 14 September
  • the Films
  • the Musicians

12 fridays SEPTEMBER - JAZZMUTO from hours 20,30

Hosts of the evening:
Carl Lizzani, Domenico Leggiero, Giovanna Marine, Yervant Gianikian

First part

All the human beings are born free and equal in dignity and rights.

Projection-concert:

HUMANITY of Elvira Giallanella (1919 Italy, 40 ')
musical accompanyment ANTONELLO SALIS, pianoforte and fisarmonica

Oh ManSpecial event:
OH, MAN
of Yervant Curly Gianikian and Angela Lucchi (2004 Italy, 71 ')

Musics originate them of Giovanna Marini and Luis Agudo



Second part

Every individual has straight to the job and the social emergency.

Projection-concert:

Life from dogsLIFE FROM DOGS (To dog's life) of Charlie Chaplin (1916 USA, 51 ')
CHARLOT MACHINIST (Behind the screen)
of Charlie Chaplin (1916 USA, 30 ')

musical accompanyment ANTONELLO SALIS,
pianoforte and fisarmonica

13 SATURDAYS SEPTEMBER, FROM HOURS 17,00
jazzMuto it accommodates: NOTES In motion - INITIATIVE PROMOTED FROM XVII the Town hall

Concerts:
Hours 17,00: Her Pillow

Fabio Magnasciutti, voice, Nicholas Mancuso, low, Alessio Morglia, guitars,
Roberto Magnasciutti, Strong Luca, banjo, Carl Pescarolo, battery,
Ludovica Values, fisarmonica and trombone

- HOURS 18,00

Valerio Sanzotta voice and guitar
accompanied from Anton Giulio Frulio, pianoforte,
Alfonso Anagni aka Ganaian, low.

Antonella De Just, President XVII Town hall, introduces:
The night white woman for the Human Rights

13 SATURDAYS SEPTEMBER - JAZZMUTO - hours 20,30

Hosts of the evening:
Funzionaro United Nations, Rosaria Maria Homage, Paul Village, Ettore Scola

First part

Homage to Sergej Michajlovic Ejzenstejn (1898 -1948)

Every individual has straight to the life, to the freedom
and to the emergency of own person

PotemkinProjection and Concert:

BATTLESHIP POTEMKIN (Bronenosec Potemkin)
of Sergej Michailovic Ejzenstejn (1926 USSR, 70 ')

FRANK musical accompanyment D' ANDREA, pianoforte



Second part

The NIGHTS WHITE WOMEN OF CHARLOT (To night out)
of Charlie Chaplin (1915 USA, 21 ')

SUBSONIC musical accompanyment BOOSTA FROM, pianoforte and tenorion

Third part

Every individual has straight to found a family

ACCIDENTS THAT HOSPITALITY (Our hospitality)
of Buster Keaton (1923 USA, 70 ')

SUBSONIC musical accompanyment BOOSTA FROM, pianoforte and tenorion

SUNDAY 14 SEPTEMBER, FROM HOURS 20,30

Hosts of the evening:
Julia Rodano (City council member to the Culture, Show and Sport of the Lazio Region),
Carl Marrapodi (laborer Tyssen Krupp), Piero Soldini (Resp. Cgil immigration)

First part

Every individual has straight to the movement freedom


DEPARTURE OF EMIGRATING FROM NAPLES, cinegiornale (1914 Italy, 19 min.)
musical accompanyment CRISTINA VETRONE, organetto and voice

Second part

SAILOR By force (Shanghaied)
of Charlie Chaplin (1915 USA, 20 ')

musical accompanyment PAUL DAMIANI, violoncello

Third part

Every individual has straight to the expression freedom


A CHIEN ANDALOU of Luis Bunuel and Salvador Dali, (1928 France, 16 `)
musical accompanyment PAUL DAMIANI, violoncello

Quarter leaves

Every individual has straight to the democracy

METROPOLIS of Fritz Lang, 1927 Germany, 80 min.

musical accompanyment:
GUILTY RITA MARCOTULLI and DANILO, double pianoforte

The Films ---> Discharge the pdf

HUMANITY
of Elvira Giallanella
1919 Italy, 40 min.
Didascalie in Italian.

Recently found again near the archives of the National Cineteca the film it has been restored in the 2007 near the Laboratory Found again Image of Bologna in collaboration with the Association
Bordering, in the within of the plan Not only dive. Pionere of the Italian cinema.


The cue of the film is supplied from a story for boys of Vittorio entitled Bravetta Tranquillino
after the war it wants to recreate the new world.


Turned to the next day of the $first World War, Humanity is a perhaps only case of use of the cinema
from a woman in order to testify its firm sentence of all the wars.

OH, MAN
of Yervant Curly Gianikian and Angela Lucchi
musics originate them: Giovanna Marini and Luis Agudo.
2004 Italy, 71 min.

The film on the complete post-war period the trilogy on the First World war, begun with Prisoners
of the war and On all the summits are peace. From the emblemi of the totalitarianism to the fisicità it characterizes them of
human suffering. Anatomical catalogue of the wounded body. The consequences of the conflict on infancy
in 1919-1921. From the decostruzione to the artificial resetting of the human body.


Like the precedence realizations, the film has been realized using material deposited historians
near the several Italian and European archives.


We resume the suffering the pain inaudito in the documentary images recorded after the First World war with a room analytics (than rifilma, dumb the time and the rhythm of the image, the detail, the color, rincornicia, risignifica the context) with which we approach ourselves the prechosen subjects. We try to give an identity to these anonymous people forgotten, of which they do not appear name, place of the wounding, indications on their screw.

The identities appear from gestures, looks, expressions, details, objects escaping in sliding in the constant cinematographic time. Dumb expressions of anger and embarrassment in the being forced to rest for scientific and medical a so-called room. Impossibility to hide the signs of the war on own body. Indeed forced to put them in evidence. [] Crossing the Archives we continue to address to the present.

DOG'S LIFE (Life from dogs)
of Charlie Spencer Chaplin
1916 USA, 51 min.

The single company of the Charlot wanderer is a bastard small dog that for case unearths the pocketbooks hidden from two petty thieves. With the Charlot money it thinks to put on house with the singer of a birreria, as soon as fired from malvagio the landladies.

To Dog's Life mechanic of the mask to that one of the personage represents the first concrete attempt to in itself move the axis of the speech from the role: Charlot stops of being object of the speech for
to become, thanks to its expansion, subject.

The reign of the mask is the myth, that one of the personage is the history. Chaplin searches this movement of plans meaning in a precise connotation acclimatizes them (like already in The Immigrant), but also in the same structure of the story: Charlot is not piú a marionette, for how much emblematic one, date like immutable, but the result of a determined human condition
in the sign of the hunger and the misery.

BEHIND THE SCREEN (Charlot machinist)
of Charlie Spencer Chaplin
1916 USA, 30 min.

Interpreted, directed and produced from Charlie 13 Chaplin it was projected before turns November 1916.
Refined evolution of the comic precedence that Chaplin realized for the Keystone: Charlot makes of the cinema and Charlot actor and for the Essanay: Principiante Charlot.

Remained famous for the explicit homosexual scene incui Charlot and the boy (in reality disguise
of Edna) sbaciucchiano picked in flagrant from main that its reproaches in its turn assistant with the marked effeminate attitude and to the term of some volteggi and steps of dance porge to
Charlot own deretano ready centered from a poderosa kick of these; and it will remain insuperato in the history of the cinema, for the clarity of the exposure, at least till years fifty.

BRONENOSEC POTEMKIN (the Potemkin Battleship)
Of Sergej Michailovic Ejzenstejn
1926 Ussr, 70 Min.

From a cell of the organism of the battleship to the organism of the entire battleship; from one
cell of the organism of the fleet to the organism of the entire fleet: the feeling of the fratellanza
revolutionary develops itself thematically; and all set up is repeated in the structure of the work on
fratellanza and the revolution. (S.M. Ejzenstejn)


We are in june 1905, port of Odessa. The meat given for mess to the sailors of the Potemkin is full
of worms. Some refuse to eat it, are condemned to the execution. The platoon person in charge of the execution refuses to talk nonsense. While the population of Odessa crowded on the perron that slips towards the port, solidarizza with the sailors. In order to refrain the disorders accorrono the cossak ones that talk nonsense on the crowd. From the battleship the mutineers talk nonsense cannonate in order to try to stop the slaughter. The imperial fleet arrives, and the Potemkin under shooting must abandon the port.

But nobody talks nonsense against the mutineers, and from the ship flagship a message arrives: Siblings. The Potemkin takes wide, the free one to raise on the device the red flag. The Potëmkin seems a report (or cinegiornale) of events, but in reality it hits to us like drama.

And the secret of this effect consists in the fact that the rhythm of the report s'adatta to the rigorous laws of the tragic composition; and, more still, of a tragic composition in its classic form: the tragedy in five actions. Been born from the pathos of the topic, the compositiva structure reflects that only fundamental law that regulated the organic, social process or not, and that it presides to the formation of the universe. To participate to this canone dialectic (whose reflected it is our conscience and its zone of application, that is all our life) cannot not fill up us of the highest form than emotion, of pathos. S.M. Ejzenstejn, in the structure of the film, 1939.

TO NIGHT OUT (the Nights White women)
Of Charlie Spencer Chaplin
1915 USA, 21 Min.

For Charlot, an entire night in turn for premises, bar, open-air dance-halls; alone, or in company of sodali of
drinks. Litigi and misunderstandings not to end, but Charlot finds the time and the force for a courtship
locked nocturne and to the Purviance, with the complicity of a dog and the presence of an alarming bathtub from I bathe.


Chaplin has grown and the extraordinary interpretation of the drunk of is confirmation, it would say itself or been born drunk, and I compare Very with the interpretation of the also excellent Turpin, shoulder and companion of revelries in the farce, of it exalts the talent.

OUR HOSPITALITY (Accidents, than hospitality)
of Buster Keaton
1923 USA, 70 min.

To New York, Wille McKay, come to know to have inherited the family dwelling, it decides to leave in order to take of possession. Sul train for Blue Ridge Mountains, the young person knows Virginiums and before the term of the travel the two young people already are fallen in love. But what Willie does not know it is that Virginiums are a Canfield and are the daughter of its sworne enemy. Reached in city, it comes invited to supper from the girl and thus discovers of the faida that hard for a long time between the families of the Canfiel the McKays but discovers also like avoiding that the Canfield talks nonsense to it leans: to be host in house they because to the South the host is sacred!

A CHIEN ANDALOU
of Luis Bunuel and Salvador Dali
1928 France, 16 min.

This film was born from the encounter between two dreams. As soon as reached Figueras, from Dalí, invited to pass some day to us, I told to it that I had dreammed from little a long and thin cloud that the moon cut and a blade of shaver that cracked an eye. It told to me that the night before had seen in dream a full hand of ants. He added: And if from the two dreams we gained a film .

With the publication of the scenario of the film on révolution surréaliste the Bunuel it joins of fact to the principles of the movement surrealist.

SHANGHAIED (Sailor by force)
of Charlie Spencer Chaplin
1915 USA, 20 min.

Considered a fannullone from the father of its fianc2ee, the Pirati shipowner, Charlot it is felt in
obligation to accept a job of simple and temporary sailor on one of its boats; it is
easy imaginable like this it is an ideal atmosphere for the scatenamento of moments and
comic situations.

DEPARTURE EMIGRATING FROM NAPLES
cinegiornale
1914 Italy, 19 min.

The documentation, absolutely extraordinary, on the departure of a group of emigrating from the port
of Naples, to the beginnings of the nine hundred. To the first impression of the obvious attempt, from the authors of the resumptions, to confirm with these images a situation nearly of festivity, of normality, aware choice, it emerges instead, with passing of the minuteren, the drammaticità of the condition of men and women forced to an obliged and deprived of hope choice; thus, the moments of the medical visits before the departure, the gathering all with in camerate, the common lunch, the corteo towards the ship, the orchestrina that sound to the accoglio, the boarding, the other medical visits, the life on the ship, quite the game of the of campania and the putting in the open air to edge, instead suggesting to serenity and hope, do not succeed however to hide the anguish of this common condition, with to the sgomento that test in greeting, also we with they, the Vesuvio and the gulf of Naples who go away.

METROPOLIS
of Fritz Lang
1927 Germany, 80 min.

Film from always cult object, Metropolis evokes a city-factory of the fututo in which the laborers,
that they live in the basements, guided from a robot-woman, are rebelled to the masters, but in front of a cathedral kind, happens them and job is riconciliano. Scenografie espressioniste, mechanical recitazione, threatening coeografia of the orarai in mass ordered towards the ascensori, the children of the city with their protese hands: geometry of the masses prefigure nazism.

The Musicians ---> Discharge the pdf

ANTONELLO SALIS
pianoforte, fisarmonica

Been born in 1950 to Villamar, in Sardinia, it begins to play the fisarmonica to seven years. Later on it is approached the pianoforte studying from self-taught.

In years '70 it supports in various groups rock playing the Hammond organ. In 1973 form trio CADMO with Riccardo Lay and Mario Paliano, that it becomes quintet G.R.A later on. with the addition of the sassofonista Sandro Satta and the trombonista Danilo Terenzi. In the same period sound in the quintet of Maximum City and the Great Directory Musicians of Tommaso Vittorini.

From 1978 she is protagonist in plan single and fisarmonica in Italy and abroad host of the greater ones jazz
festivals. Its by now trentennale musical distance is studded from excellent collaborations in order to cite of some: Enrico Rava, Paul Fresu, Furio Di Castri, Stefano Bollani, Roberto Cat, Riccardo Are made, Minafra Pine, Paolino From the Door, Gianluca Petrella, Fabrizio Boxwood, Paul Angels, Javier Girotto, Lester Bowie and the Art Ensemble Of Chicago, Don Cherry, Don Pullen, And Blackwell, Billy Cobham, Horacio El Black person Hernandez, Han Bennink, Vasconcelos Dwarf, Cecil Taylor, Pat Metheny, Joey Baron, Bobby Previte, Hamid Drake, Bobby Watson, Minino Garay, Richard Bona, Linley Marthe, Francis Lassus, Joel Allouche and many others.


As solista it has recorded 4 discs: ORANGE JUICE, NICE FOOD, SALIS! , THOSE WHICH REMAIN and PIANOSOLO. One of its more long-lived collaborations is with the French chitarrista Gérard Pansanel with which it has recorded 7 cd between which dedicating to Fellini and music of Nino Rota with the Improvista Orchestra. The collaboration with the French fisarmonicisti Richard Galliano and Marcel Azzola with to Gianni Thigh produces the New Quartet, apotheosis of the instrument mother of Salis. Eclectic musician, in the course of its career, has been confronted in plans of theatre (Remondi and Caporossi, Festival di Sant'Arcangelo), reviews and festival of cinema (Biennial of Venice, Taormina Festival), dances (with Roberta Escamilla Garrison, Teri Weikel). With Gérard Pansanel Story of autumn has signed moreover musics of the film of Eric Romher. It has moreover collaborated with Pine Daniel, Ornella Vanoni and other artists to outside of the closely jazzistico within.

In the course of its long career it has obtained several acknowledgments to European and international level, for last the prize Django of or 2005 for Italy like asserted musician.

FRANC D' ANDREA
pianoforte

Been born to Merano in 1941, it begins to play the plan to 17 years, having played bugle previously and
sax soprano. In the '63 its professional activity with Round Nunzio to RAI of Rome has beginning.

In the '64 it records its first disc with Gato Barbers, with which it collaborates two years. In the '68 form with Franc Tonani and Bruno Tommaso the Art Modem Trio. From the '72 to the '77 sound with the group jazz-rock Perigee. In the '78 form a quartet calling like collaborators Vat Tracanna, Attilio Zanchi and Gianni Cazzola. Al group the percussionista Luis Agudo joins in the '86, in the '89 the percussionista Naco and the trombonista Glenn Ferris and in the '91 the vibrafonista Saverio Pocket.

At the beginning of the '93 it gives life to a new trio, Current Changes, with the trombettista David Boato and Naco. Its puts into effect them quartet comprises the sassofonista Andrea Ayassot, the bassista Aldo Mella and the Zeno drummer de Rossi. He is also to the guide of an increased formation to 11 elements, Eleven. In the course of its career he has played with important musicians: Pepper Adams, Barry Altschul, Gato Barbers, Don Byas, Conte Candoll, Jon Christensen, Danielsson Balls, Joe Farrell, Dexter Gordon, Johnny Griffin, Slide Hampton, Mark Helias, Daniel Humair, Jimmy Knepper, Lee Konitz, Steve Lacy, Dave Liebman, Albert Mangelsdorff, Hank Mobley, Jean Luc Ponty, Enrico Rava, Frank Rosolino, Max Roach, Roman Aldo, Martial Solal, John Surman, Toots Thielemans, Charles Tolliver, Miroslav Vitous, Kenny Wheeler, Fodé Youla (Africa Djolé), Ernst Reijseger, etc.

It has played in all the more important festival than jazz of the world.
It has composed approximately 200 pieces of which a hundred appears in its discs.

It has obtained a series of acknowledgments, between which, Prize of the Italian record critic in 1979 and 1981, Prize RadioUno Jazz in 1982, Prize Top Jazz, indetto from the review Jazz Music, which better Italian musician in years 1982, 1984, 1985, 1986, 1987, 2005, Prize Top Jazz for the better Italian group in 1986, Prize Top Jazz for the better Italian disc in 1984, 1986, 2002 with Not Idea of Time, Quartet Live and Single the Philology series.

It has recorded beyond 200 discs in Italy and abroad.

BOOSTA
pianoforte, tenorion

David said Dileo Boosta, twenty-seven september millenovecentosettantaquattro, Turin.

After not little years expenses in lessons of pianoforte (or of classic print, you see Conservatory, or of print jazz), and after a experience on the theater boxes begun to the tender age of fourteen years, in 1996 with to two adventurous companions of travel (then become four) deep the Subsonic one. Four egg whites of study (all arrived to the platinum disc), double egg whites from the alive one (that something like 500 concerts for a total public reassumes a long history more or less 450,000 persons), a varied list of prizes, between which a pair of MTV European Awards like Best Italian Act. But this is solo leaves of the entire history.

In the 2003 in fact here Iconoclash, cured special plan from Boosta in first person, a series of cutting rivisitazioni of classics of the Italian-disc succeeding to be involved the interpreters originates them (Gazebo, P.Lion, Garbo, Righeira and other anchor). Meantime, the mastery of the record players and the secrets of the dancefloor has made gradually more inappuntabile and majestic. Like remixer, Italian artists (Vasco are ended under its cures Rossi, Morgan, Cristina Donà) and international (Placebo, Beastie Boys, Client, Jentina, Depeche Mode, Skin have demanded its servigi). Like dj, no exception has had way to play in all the best Italian clubs (, enough to control), has been found of forehead to a million persons to the Street Parade di Zurigo, has sedotto also the dancefloor of Ibiza, an all affinando more and more its personal sonorous prescription who leave from the tech-house in order to arrive to a electro futurist, without to even scorn the territories of the breakbeat.

Its abilities from master on the techniques of seduzione of a dancefloor are testified also from a series of 12 inches: the first one exited for EMI (Crash) obtaining quickly a succeeded lusinghiero of critic and public, the others instead escapes for the types of the Mantravibes (The Boss, Boostology Ep and Dance Is Dead) and of the Ocean Dark (Jump In to Silk Black Flow).

If this were not enough (and could also be enough), its identity from writer is pure. The story collection breviums Dianablu has had like continuation serratissimo the novel an average hour and, both escapes for the prestigious publishing house Baldini Casoldi Dalai.

An average hour and is also on the road in order to become a film, with a cast previewed of high level. A third novel is in phase of working. In the 2007 Boosta it has remixato pieces of Ayo, Client, Hilary Duff and Skin (former Skunk Anansie) and has produced new single with to Dany 09 T using alias 27 Project.

CRISTINA VETRONE
organetto and voice

Been born to Montesarchio in province of Benevento in 1970, it has begun to play from child pianoforte and the ARPA, but little after it has been fallen in love of the organetto and has nearly abandoned completely the other instruments. To the age of thirteen years it already played with canzoniere of ritta and Manca Lello the Door-bells to Benevento.

To 18 years it is moved to Bologna, it is enrolled to the Dams, and it begins its collaboration with artists jazz.

Till the encounter with Lorella Monti and Enza It is, with which in 1993 I found the group of the ASSURD, it had not never sung thinking to have a voice of a man when then someone
it has pointed out the particularitity of my voice, has begun also to sing.

It has worked with Steve Lacy, Tristan Honsinger, Peppe Bar, New Folk band of Patrizio Trampetti,
NCCP, Art Ensamble of Chicago, Daniel Sepe, Edoardo Marraffa, the Impossible ones of Guglielmo Pagnozzi, O' Lione, Marcello Colasurdo, Is Zezi, and to theatre, between the others, with Mark Paolini and Peppe
Bar.

PAUL DAMIANI
violoncello

Composer, director of orchestra, contrabbassista and violoncellista, teacher of Jazz to the Saint Conservatory God Cecilia of Rome.

Been born to Rome in 1952, diploma in contrabbasso and music jazz. Sin from the beginning of its career dedication to the experimentation, the musical search and the Didactics. It has collaborated with the more important musicians jazz, between which Pat Metheny, Kenny Wheeler, Albert Mangelsdorff, Billy Higgins, Charlie Mariano, Miroslav Vitous, Tony Oxley, Enrico Rava, Marc Ducret, Louis Sclavis, François Jeanneau, Paul Fresu, Minafra Pine and George Gaslini with which she has toed make one's debut professionally in 1976.

From 1978 it directs own formations with which it has participated to the more important festival of the world. Between i
its groups the Unstable Italian Orchestra (considered from the world-wide critic the more important European orchestra than jazz), the Median quintet (an organic detail centered on the launeddas,
ancient instrument Sardinian) and new settetto, recently founded, with Twisted Diana, Gianluigi Trovesi and Javier Girotto, Guilty Danilo, Bebo Ferra, Walter Paoli.

It has given to life to plans and musical experiences of great originality. It has founded the Musical School of
Testaccio and the IS Ensemble, a selected juvenile national orchestra through audition.

It is the ideatore of the coordination of festival jazz L.I.R.A. (Free Initiatives of Artistic Search), that it comprises most innovative festival Italian than jazz. He is the inventor together to publisher Vincenzo Sicchio of the recently attached necklace of audiolibri to the Republic and the Express (june 2006).
From 1999 to 2002 he has been artistic and musical director of the ONJ - French National Orchestra of Jazz -, first foreign artist to have gained the relative competition.

From 1982 it directs the International Festival of jazz Mediterranean Noises, of Roccella Jonica, from 1998, together to Armand Meignan. that one of Rome a fecund earth strip. Its egg whites the time that will make (2007 Aegean) has been a true triumph, winning the Prize Top Jazz 2007.

RITA MARCOTULLI
pianoforte

It is born to Rome in 1959. Since the most tender age comes started under consideration of the pianoforte near the Conservatory of Cecilia Saint on Rome. After a curiosity it begins them for the South American rhythms, in particular for Brazilian music, towards the 20 years begins to approach itself the world of the jazz.and quickly it has happened. Its career is sweeping, and from the beginning of 80 years 'Rita Marcotulli has the fortune of being able to collaborate with gotha of the jazz European: John Christensen, Danielsson Balls, Peter Erskine, Steve Grossman, Joe Henderson, Hélène the Barriers, Joe Lovano, Charlie Mariano, Tony Oxley, Michel Portal, Enrico Rava, Michel Bénita, Roman Aldo, Kenny Wheeler, Pat Metheny.

Already in the 87, a referendum indetto from the review Jazz Music classifies it like better new musical talent of the year. From 1988 to the 1990 ago part of the band of Billy Cobham. In 1988 it leaves Italy for Sweden, where it will remain till 1992, assimilating the passion for research purposes and the experimentation. Between 1994 and 1996, collaborate with Pine Daniel, Roberto Cat, Ambrogio Sparagna, Bob Moses, Charlie Mariano, Marylin Mazur. From 14 years it accompanies Dewey Redman in all its concerts.

The intimità of its music, its great depth, its delicate agreements, that they know to emphasize the single note and to amplify of the emotional charge allows, them to space and to try interconnections with the other artistic forms, especially with the cinema, for which it has elaborated various compositions, enduring the infuence of great musicians like Thelonious Monk, Elis Queen, Bill Evans, John Coltrane. Beyond that from the sonorous infuences, the compositions of Rita Marcotulli are born from the encounter with other artistic, literary, visual experiences, and, naturally,
cinematographic.

To june 2008 Homage to Pink Floyd has exited the CD, in jazzitaliano collection live 2008
for Music of Republic,

GUILTY DANILO
pianoforte

Been born to Vicenza in 1957, diploma in pianoforte main to the conservatory of S. Cecilia to Rome. Esordisce in 1975 in music jazz with the Trio of Rome, Enzo Pietropaoli and Roberto Cat. Together they accompany some between the greatest solisti than jazz to the world like Chet Baker, Lee Konitz, Art Farmer, Tony Scott, Dave Liebman, Michael Brecker and many others. In 1989 it participates to the job of Roberto De Simone, Requiem for Pier Paul Pasolini; in the same public year together to Roberto Unexpected Cat the disc.

In 1998 I found a new trio: Doctor 3, in order 3 times very winning of the referendum of the review Jazz Music like better disc and Italian group of year 1998, 1999, 2001. The group records 5 cd of which the last one in attached with the Express in the series Jazz Live to the House of the Jazz of Rome, a homage to music of the Beatles in the 40 years from birth of their disc Sergent Pepper. In 2000 its first one cd in flat solo Lost in Europe exits which they follow Lyric, based on improvisations jazz on lyric topics and Single, in 2006.

In season 2007-2008 it participates to the show Men in frac (with to other musicians like Peppe Servillo, the Faustus Mesolella and Mimì Ciaramella of the Avion Travel, Fabrizio Boxwood, Furio Di Castri, Javier Girotto, Gianluca Petrella and Cristiano Calcagnile) in which the group he executes some songs of Domenico Modugno: the show is prepared in order to celebrate the fifty years of In the painted blue of blue. The show has become cd the Men in frac. Homage to Domenico Modugno, in the necklace Italian Jazz Live 2008 (Express/Republic).

In 2008 Park of Records Music exits cd the Reminescence () in pair with Martux-M. Music of Culprit is based on the pure improvisation passing from a melodia to the other without continuity solution. It follows the emotion of the moment given from the exchange between listener and pianista.

It uses breviums and known melodici cues supplying to present a way in order to follow all the improvisation that will come, little notes in order to recall to the memory a famous topic with its emotions and quickly development extemporaneous in the attempt to free the spirit and the emotionality of the present ones, liberatoria music and search of a consequenzialità in the thematic development.

The ability to conjugate improvisation and more renders melodia it between the searched pianisti in the within of the Italian POP and from many years it records with Mine, Baglioni, Pine Daniel, Mannoia and many others.