
Like in the tradition of the itineranti large sheds, the preparation express and the beauty of the structure as such, it generates waited for and emotions in the public. The great screen, often incastonato in location wonderful of our Italian landscape, offers to the spectators a deep, additional emotion to the film in program.
It is the same emotion of the spectator of first the 1900's of forehead to the screen of the dumb cinema. Its innocence, its involvement, its participation in the collective vision we still today find again, it in the eyes of the children, the first times that go to the cinema, or better to cimena . A similar astonishment we notice own to it in the film spectator projected in places other from knows it cinematographic or from the tv: in a public square or within a convent, in a park or on a beach. In these occasions we find again the original collective ritualità of the cinema of the origins.
And, still more, to project a film in the place where it has been turned means to transform the image-photogram in event . The game of mirrors between screen and surrounding panorama is immediate; the witnesses then are the spectators today, also with the attraversamento represented from the presences recognized of relatives, friends, knowing, ways, public squares, architectures and landscapes.